黑色幽默迅雷下载

黑色幽默迅雷下载篇一：黑色幽默

对黑色电影元素的延续与颠覆

[ 摘要] 从1985 年标志性的黑色幽默电影《黑炮事件》到近年宁浩的“疯狂系列”, 黑色幽默电影在我国已经走过了将近30 年。中国特色的黑色幽默电影具有浓烈的道德感, 敢于直面社会现实。它保持着在日常生活中的外在表象, 却又不乏讽刺和戏谑的内在本质, 已经深入到百姓的内心。

[ 关键词] 黑色幽默 嘲讽 情节 滑稽 [abstract]From 1985 trademark black humor movie \"the black cannon incident\" to \"crazy\" series, in recent years, ning hao black humor movie has passed nearly 30 years in our country. Chinese characteristics of black humor movie has a strong moral sense, dare to face the social reality. It keeps its outward appearance in daily life, but there is no lack of again the intrinsic nature of irony and joking, has deep into the heart of the people.

[key words] black humor irony funny plot

一 作品与理论简介

两杆大烟枪叙述了“

汤拇”从小就个玩牌高手所以与三个好朋友“肥皂”、“艾迪”及“培根

”决定各凑五千英镑让汤姆去参加一场黑社会高额赌金牌局

汤姆从头到尾不知情

其实整个

赌局根本个大骗局于汤姆不但输光所有钱

还倒欠赌场主人十万英镑如果汤

姆一星期内不能还清手指

将不保

汤姆一伙想尽各种可能凑钱方法最后决定抢劫隔壁

毒

枭

而隔壁毒枭同时也正计划抢劫们毒品供

应商汤姆一伙计划听起来十分容易

但执行时却状况百出临检

车辆警察突然出现汤姆一伙人不得不绑走

《疯狂的石头》叙述了 重庆某濒临倒闭的工艺品厂在推翻旧厂房时发现了一块价值连城的翡翠，为经济效益特此搞了一个展览，希望卖出天价以改善几个月发不出工资的局面。不料国际大盗麦克与本地以

道哥为首的小偷三人帮都盯上了翡翠，通过各自不同的“专业技能”一步步向翡翠逼近。他们在相互拆台的同时，又要共同面对工艺品厂保卫科长包世宏这一最大的障碍。在经过一系列明争暗斗的较量及真假翡翠的交换之后，两拨贼被彻底的黑色幽默了一把。

二2者的差异

一、情节紧凑，剧情精巧

《两杆大烟枪》和《疯狂的石头》

两部电影中，巧合和意外在电影中

比比皆是。

故事情节的设置上，编导都别

出心。《两杆大烟枪》前一个小时

是一个谜语，后一个小时是谜语的

答案。由此一出笑料不断的闹剧正

式开演。。《疯

狂的石头》在一定的程度上也是一

样的，都是给人一种紧张、亢奋的

感觉。

《疯狂的石头》在一定程度上运用了较生活化的语言以及各种表现手法，以自我调侃和冷嘲热讽的方式表现社会现实问题和各种看法

使之成为“中国特色的”，较“本土化”。反应现实生活的，虽然搞笑，但是却有着很深的社会意义，可以说是“含泪的微笑”。而《两杆大烟枪》则是黑色的幽默，虽然也是反应社会的，但是较深的生活化，还是有较多的“电影性质”的东西

三、音乐画龙点睛

《疯狂的石头》将一些耳熟能详的音乐略加处理作为背景也取得了意想不到的效果，影片在快速的剪切和场景转换中更是挥发出极具创意的快感。影片人物角色的设置相当众多，彼此关系相互交织。他们往往是螳螂捕蝉黄雀在后，环环相扣，令情节总是在不可思议地发生变化，令观众能长时间将注意力放在影片，并且伴以不停地大笑。 《两杆大烟枪》则是从头到尾都在配合画面播出非常刺激的音乐，英伦摇滚，重金属，朋克，爵士一起收录到其中，真的是让眼睛和耳朵一起过隐，那种故事结构，拍摄手法确实是让人们大开眼见。

四、语言为影片大大加分

《两杆大烟枪》所有演员们操着浓重的伦敦口音，夹杂着无聊的，有趣的英式粗话，请留意对白中黑色幽默的成分。

《疯狂的石头》则是融入浓厚的中国地方特色，四川话、山东话、广东话等等，是整个影片有了一种张力，一种很强的特色。

三 结论

两部作品有很多异曲同工之

处。值得一提的是，作为宁浩首部商业电影，影片

对《两杆大烟枪》叙事结构的模仿和借鉴，做的还

是相当成功的。即承袭了回环交叉的叙事方式，又

创制出独有的风格，《两杆大烟枪》作为盖里奇的处女作，

足见他在此类叙事上的非凡天赋。《疯狂的石头》

因其线索较少，结构也相对简明，故可以说是对盖

里奇的学习和模仿。这当然未尝不可，因为在电影

的百年发展史上，对经典镜头、结构及手法的借鉴

与重现随处可见，况且宁浩也确实做到了“取其精

华树我特色”。从这个角度来说《疯狂的石头》确

是不可多得的优秀影片。《疯狂的石头》的成

功归根结底是有一个黑色幽默的精

彩剧本，这也许是国产小成本电影

一个新的出路。

参考文献

郑克鲁 董衡巽 《黑色幽默 魔幻现实主义》

橘玲 《黑色幽默经济学》

孔庆东《黑色的孤独: 北大醉侠的冷面幽默》

[3] 第282 页 《电视批评理论研究》时统宇 中国广播电视出版社 2003 年9 月版

[5] 南野 邵清风 俞洁《影视作品解读》 77~89 页

[6] 盖里奇访谈录

黑色幽默迅雷下载篇二：西方黑色幽默电影对中国电影创作的影响(英文版)

The influence of Western black humor movie to Chinese film creation

[Abstract] Effect of foreign films in the black humor of the Chinese film is

straightforward. Several movies with black humor elements emerged in China, although the black humor behave different, there is a common cultural background, cultural orientation, style characteristics, as well as a film director in common human feelings, which no one can not do without Western black humor influence of movies.

[Keyword] black humor influence movie

The emergence of Western-style movies with black humor, though, and literature of black humor appear at different times, but the essence is the same as the background. Westerners after two World Wars, spiritual beliefs severe crisis, the existence of God become confused. Fast Western economies after World War II prosperity and the traditional moral turpitude was serious.

In the 1960s the United States, the material is highly developed, social serious

deformities. Vietnam War, the development of the television industry, making Vietnam become a live, but this time it just out of the clouds of World War II. There are also political persecution of McCarthyism, the black civil rights movement entrenched apartheid led to universal sexual and gender discrimination resulting in a flood of feminism and downs, violence, murder, rape growing, hippies flooding, when the world is full of fall wrong. Western film noir reflects precisely this social thinking reverberation effect. Western film embodied in black humor, the most important are the following several directors:

First, Quentin Tarantino ?

"Pulp Fiction" completely subvert the traditional concept of film narrative, telling the reality of things but we are not able to express the reality itself, each story from the side of the film's theme was explained by the expression of the reality and the absurd reality of the nearest and most profound. Quentin's black humor to make some of the original horror story becomes dirty or bloody ridiculous, but after that we'll feel a little heavy laughter.

Second, the Coen brothers

Coen Brothers film often has the spirit of philosophical speculation, is an expression of absurd reality, justice and goodness is often not the evil opponent. For example endless bloody and violent "Old Men" in the show is a show of confidence crisis. Rapid change in the external world of time and space has led to people's confusion, loss of religious feeling, leading to self-awareness of decay. In this non-mainstream works director brothers, characters, character, story, these elements are crucial

Hollywood lost the original meaning, and become the Coen brothers describe environmental and historical weight.

Third, Kusturica

Director of the former Yugoslavia Kusturica movie is full of his homeland Yugoslavia mixed feelings, "underground" is the masterpiece of the most famous movie. No

matter what a state and national history were originally serious and cruel. The director put their interpretation seen as a farce, the metamorphosis, desire, deceit, humanity, all melting into the period of the war epic farce. History can not be changed, a lot of memory fragments left behind is impossible to put together the broken marks, which are specific to the product of that era, even then anger and then lost, but also show a sense of powerlessness and self-deprecating heart collapse.

Fourth, the Woody Allen comedy ?

? Woody Allen's comedy film, gray humorous comedy about post-modern city mental distress. His film comedy performance indicators under the surface lurks a certain tragic theme. By the United States "Beat Generation", a large number of works of black humor, new journalism, fiction and the European Jewish, Russian writer, the impact and the French New Novel Theatre of the Absurd, black humor, and his works painted with the new artistic means objective world, often with cynicism, cynicism and cruelty and absurd allegorical artistic image, in the structure of "give order to chaos" approach, the funny stuff and sublime humor juxtaposed serious things, factors and tragic comedy side by side, on the order of time staggered overprint, resulting in strong contrast to the artistic effect and blend of joy and sorrow. ? Woody Allen's first film, "What's the matter, Tiger Lily? "Already reflect this tendency.

The impact of foreign films in the black humor of the Chinese film is direct, the development of Chinese film centuries and foreign films are inextricably linked.

Especially the brilliant Chinese film several times, this link even more closely. Reform and opening up of Chinese film-making, a group of filmmakers from college out of school in the technique works out, this study changed the traditional form of Chinese film, the birth of the fifth generation of filmmakers and their work, this study It is

successful, so that Chinese film attracted attention in the world cinema. Black humor movies first fortune in the fifth generation director works.

After the film's black humor China first appeared in reform and opening up, Huang Jianxin director of "Black Cannon Incident,""dislocation" in the use of black humor, the film has aroused strong repercussions critics. After the founding of New China's reform and opening up to China and the world before long isolation, after the reform and opening up to foreign latest thoughts started to affect Chinese intellectual. Chinese filmmakers began to learn the advanced shooting skills, the Chinese film began to rise again on the road. After the Cultural Revolution in Film Academy's director Huang Jianxin has never shied away over their own learning enthusiasm of Western theories and ideas and ambition to shoot a different movie. He said: "The end of the Cultural Revolution in 2078, is popular among students theoretical Reader

everyone to read works of philosophy, sociology writings, various interdisciplinary I remember when there was a series, describes the various. school, what semiotics, Freud, etc. have a bunch of people around me. So when I was shooting a movie, you want a new era, a new breakthrough in film language systems ...... . "In the film, when it comes to contemporary China, he said:" I think now the Chinese film behind,

language system behind China after the Cultural Revolution on the grounds that the film than in the West behind the decades, perhaps three decades Chinese filmmakers. with three to five years to catch up with the world of film. the late 1980s with the first half of the 1990s, the standard Chinese language film is synchronized with the world, but precisely in this period, the development of digital technology, took over the language of cinema Authoritative Discourse and mystery to break the "about" Crazy Stone, "when he said:" there is now a "Crazy Stone" We all feel very strange, to put this movie into Hong Kong, they said ten years ago that we do not in this movie it? In other words, our film language behind. "2006's" Crazy Stone "turned out, its distinctive black humor style caught the hot Chinese film critics and the general audience, "black humor" Following Huang Jianxin's early films once again become the buzzword. Many commentators see the "Crazy Stone" to empty a large gathering of Chinese film market surprises, but also criticized the "Crazy Stone" over emulate the British film "Two Smoking Barrels." Retorted this Ning Hao said: "China is an open-minded nation, why do not you learn from all the Chinese film source can be found in a foreign film, I think also to learn and continue to learn, I believe lid ? Ritchie?. can not shoot this film, and there are too many things in China, local, closely linked to China funny and sad reality of life, only the Chinese people can understand. "Ning Hao comes to the point is that" Crazy Stone "is already a section very Chinese film, he did not deny his own film on Western black humor film reference.

I believe that Chinese movies on treatment of black humor is not mature, nor form a very strong black humor film forces. In the 1980s, the film is mentioned only Huang Jianxin With colors of black humor, even if his films, is also limited to "Black Cannon Incident" and "dislocation" after "dislocation", the film's black humor Huang Jianxin He began to fade, the black humor transmutation. On this issue Rao Shuguang says: "But Huang Jianxin's mind is clear, he knew the story was not absurd to the absurd, the ultimate goal is to shine into reality, can be described as the first in the air, feet on the ground since the absurd to the extreme there are. a large part of the audience did not accept, Huang Jianxin and to adjust their creative tactics - to the "ambush" Huang Jianxin absurdity in "The Black Cannon Incident" and "dislocation" in the performance of daily life has penetrated the same as plain yet quietly into the narrative. And the "Who Cares", drama and absurdity intertwined, allowing viewers to experience a

collage of sensual pleasure and games. "When the" stone crazy after "appears, to my surprise just shows, "Crazy Stone" Case of. We look at the first decade of the new century, to "Crazy Stone" before the movie, there's Chinese film with black humor, and not difficult to find there are a few: "glorious anger", "Missing Gun "" Live "and" Black Cannon Incident. " Although black humor behave different, there is a common cultural background, cultural orientation, style characteristics, as well as a film director

in common human feelings these films. No one is inseparable from the effect of these western black humor of the film. Chinese film has a long way to go.

黑色幽默迅雷下载篇三：100部经典好看的韩国电影大全

100部经典好看的韩国电影大全

系列

1、杀人回忆（它证明了电影可以做到零缺憾）

2、老男孩 （惊人的黑色惊人的暴力惊人的浪漫）

3、薄荷糖 （以完全倒叙的方式将残酷最大化）

4、收件人不详（金基德式的草木含悲）

5、八月照相馆（你会遭遇有生以来最温柔的夏天）

6、共同警备区JSA（朴赞郁把主旋律拍出了另类的气质）

7、朋友（找回看港产江湖片的感觉）

8、实尾岛（亚洲商业大片完全范本）

9、孝子洞理发师（韩国版《阿甘正传》）

10、死不张扬离奇失魂事件（媲美《浅坟》）

11、加油站袭击案（焊接愤怒与有趣）

12、生活的发现（所谓生活所谓男人）

13、春夏秋冬又一春（拍出了很多人理想的人生境界）

14、美丽秘语（如初恋般简约，打字者注：动画电影）

15、生死谍变（有佳句、佳人、遂成佳章）

16、六人视线（韩国风情画。打字者注：由6个导演应政府要求拍摄关于人权短片集）

17、快乐到死（看伦理片如何演变成犯罪片）

18、醉画仙（美就是这部影片的全部内涵）

19、我的野蛮女友（人人都爱全智贤）

20、回家（温柔一刀）

21、我要复仇（残酷而且绝望，但不像《割》那样否定人性。打字者注：割就是CUT）

22、春逝（哀而不伤，平而不淡，诞生了又一个有关巴士的爱情理论）

23、追访有情人（风格化的爱情电影，兼负探讨电影本质的使命）

24、情事（清洁属于通俗理论范畴，但情欲心理的营造扣人心弦）

25、周末同床（最轻松愉快的韩国色情电影）

26、蔷花红莲（标志着金知云恐怖美学已经完全成熟）

27、萨玛利亚女孩（金基德风格全面内敛的第一部作品）

28、漂流欲室（用一种毁灭一切的方式，证明了爱是唯一崇高的东西

29、绿洲（某些过于直白的镜头让人几度遮掩蒙混，看过却无法忘却）

30、嫉妒是我的力量（其实片中谁都没有力量，导演以平实的手法赋予故事哲学思考）

31、塑料树（几乎没有裸露镜头，但暗潮汹涌的性角力，让人觉得心悸与危险）

32、爱的肢解（开放式悬疑，看似漏洞百出，对它真相的讨论至今未休）

33、春香传（林泽权把一个传统戏剧故事拍得活泼且可爱）

34、夏雨灯（关于梦想和梦想的不可挽留）

35、无处藏身（片中“四十台阶”杀人案拍得诗意昂然，成为韩国电影经典一幕）

36、绑架门口狗（相信片名给你的第一感觉，是一部不让人失望的黑色幽默电影）(来自:www.zhaoQt.NeT 蒲公英文摘:黑色幽默迅雷下载)

37、猪坠井的那天（危险的日常生活）

38、太极旗飘扬（过于煽情的战争片，对《兄弟连》的成功模仿，值得一看）

39、茅虿王（热情奔放，创意无限，宋江浩凭本片奠定一线男星的地位）

40、光复节特赦（肖申克的救赎 跟 警察与赞美诗 二合一的监狱双重奏）

41、犯罪的重构（犯罪过程和动因浪漫无比，剧情千头万絮，精彩纷呈）

42、花之岛（将商业元素压缩至最低的纯艺术片，全片用DV拍摄但画面干净明亮）

43、女高怪谈（既有深度又有悬念的恐怖电影，带出韩国国内对升学压力的讨论）

44、猫眯少女（几个刚入社会的毕业少女的不同经历，手法写实）

45、开心见性（三个女人在落地窗前竖起双腿的一幕感人至深，女权电影） 46、301/302（心领神会地描绘了女性对食物爱恨交集的情绪）

47、公路电影（如同春光乍泻，它其实只讲述了一个两个人的故事）

48、海岸线（张东健的出现让人勿以为这是一部战争片，其实它深刻探讨了人性）

49、坏小子（最具金基德“疯狂人格”的情色片）

50、江原道之力（开头沉闷粗糙，后渐入佳境，最后给你无法面对的事实）

51、哦，水晶（探讨并嘲讽了处女这一说）

52、拯救绿色星球（重新解释达尔文进化论，大胆而疯狂）

53、美人（故事几乎空无一物，但若讲到韩国情色电影唯美派，则又以本片为代表）

54、选择（表现在韩监狱关押的朝鲜间谍，对他们信仰的尊重，使本片获得了尊重）

55、送还（纪录片，表现被遣返的朝鲜间谍，达到了艺术片的效果）

56、爱的蹦级（用一种生硬的姿态和一个生硬的故事，将你硬生生打动）

57、我们的畸形英雄（人心与政局相互隐喻。打字者注：本片拍摄于韩国电影审查制度完全解禁前）

79、火山高（CG出色，故事一般）

80、太白山脉（以兄弟情隐喻韩朝关系，打字者注：林则权94年作品，亦拍摄于韩国电影审查制度解禁前）

81、人民公敌（韩国版《野兽刑警》，叫好又叫坐。打字者注：今年有续集《又一个人民公敌》）

82、约定（早期从香港舶来的黑帮爱情片）

83、单身贵族（难得的为成年人而拍的爱情小品，细腻有趣）

84、爱的色放（以封闭空间投射大环境，有《梦想家》之影子但不及后者成熟）

85、恋爱小说（打字者注：向左爱向右爱 李银珠生前作品）

86、发达不用本钱（卖保险的最高境界，以肉身试车轮，疯狂爆笑）

87、疯狂大电影（片如其名，BT饿搞，但却有其含义）

88、了解我的女人（如果你有耐心看完，这是一个非常巧妙的爱情故事）

89、中毒（后半部分对任务心理的捕捉刻画尤其敏感丰富）

90、丑闻（画面与故事格调不成正比）

91、麦竹街残酷史（韩国一代人的青春与成长）

92、色即是空（打字者注：用得着我说么？）

93、触不到的恋人（停不了的爱）

94、蜘蛛林（犯罪嫌疑电影，气氛凝造出色。打字者注：还没看懂）

95、恋恋春季（简单精致，斐斗娜的出色表演提升了电影质量）

96、笨狗（一个傻小子的成长故事。打字者注：主演是武士和橡皮擦的男主演----郑宇成）

97、谁都有秘密（洞悉女人恋爱时心理的上乘教科书）

98、新罗月夜（笑料饱满有延续性，表演出采）

99、YMCA棒球队（韩国第一支棒球队的故事，简单温暖）

100、胜者为王（一部野心和酷都没有完全做到位的黑帮片，但影片主要角色日后都成为一线明星）

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