新东方美文背诵30篇mp3
发布时间:2017-01-20 来源: 美文摘抄 点击： 
新东方美文背诵30篇mp3篇一：英语背诵美文30篇(翻译)
生而为赢（中文翻译）
——新东方英语背诵美文30篇
目录：
·第一篇：Youth 青春
·第二篇：Three Days to See(Excerpts)假如给我三天光明（节选）·第三篇：Companionship of Books 以书为伴（节选）
·第四篇：If I Rest, I Rust 如果我休息，我就会生锈
·第五篇：Ambition 抱负
·第六篇：What I have Lived for 我为何而生
·第七篇：When Love Beckons You 爱的召唤
·第八篇：The Road to Success 成功之道
·第九篇：On Meeting the Celebrated 论见名人
·第十篇：The 50-Percent Theory of Life 生活理论半对半
·第十一篇 What is Your Recovery Rate? 你的恢复速率是多少？ ·第十二篇：Clear Your Mental Space 清理心灵的空间
·第十三篇：Be Happy 快乐
·第十四篇：The Goodness of life 生命的美好
·第十五篇：Facing the Enemies Within 直面内在的敌人
·第十六篇：Abundance is a Life Style 富足的生活方式
·第十七篇：Human Life a Poem 人生如诗
·第十八篇：Solitude 独处
·第十九篇：Giving Life Meaning 给生命以意义
·第二十篇：Relish the Moment 品位现在
·第二十一篇：The Love of Beauty 爱美
·第二十二篇：The Happy Door 快乐之门
·第二十三篇：Born to Win 生而为赢
·第二十四篇：Work and Pleasure 工作和娱乐
·第二十五篇：Mirror, Mirror--What do I see镜子,镜子,告诉我 ·第二十六篇：On Motes and Beams 微尘与栋梁
·第二十七篇：An October Suise 十月的日出
·第二十八篇：To Be or Not to Be 生存还是毁灭
·第二十九篇：Gettysburg Address 葛底斯堡演说
·第三 十 篇：First Inaugural Address(Excerpts) 就职演讲（节选）
1．青春-------------------------------------------------------------------------- 青春不是人生的一个阶段，而是一种心境；青春不是指粉红的面颊、鲜艳的嘴唇、富有弹性的膝盖，而是指坚定的意志、丰富的想象、充沛的情感；青春，它是清新的生命之泉。 青春是一种气质，勇敢胜过怯弱，渴求冒险而不贪图安逸。这样的气息60老者常常有，20青年恰恰无。年岁增添，未必使人垂老；理想不再，终于步入暮年。
岁月悠悠，衰微只及肌肤；热忱抛却，颓废必致灵魂。忧烦、惶恐、自卑，使人心灵扭曲，心灰意冷。
无论60还是16岁，人人心中都怀着对新奇事物的向往，象孩童般对未来充满憧憬，此情永不消退，在生活的游戏中汲取快乐。在你我的内心深处都有一座无线电台，只要它接收到人间和上帝发出的美好、希望、欢乐、勇气和力量的信号，你就会青春永驻。
一旦你收拢天线，心灵即被愤世嫉俗和自暴自弃的冰霜覆盖，即使年方二十，已经步入垂暮之年；然而只要你竖起天线，接收积极乐观的信号，你就有望在八十高龄过世时依然年轻。（黄亚萍）
2．假如给我三天光明(节选)-------------------------------------------------------- 我们都读过震撼人心的故事，故事中的主人公只能再活一段很有限的时光，有时长达一年，有时却短至一日。 但我们总是想要知道，注定将要离世的人会选择如何度过自己最后的时光。当然，我说的是那些有选择权利的自由人，而不是那些活动范围受到严格限定的死囚。 这样的故事让我们思考，在类似的处境下，我们该做些什么？作为终有一死的人，在临终前的几个小时内我们应该做什么事、经历些什么或做哪些联想? 回忆往昔，什么使我们开心快乐? 什么又使我们悔恨不已?
有时我想，把每天都当作生命中的最后一天来过，也不失为一个极好的生活法则。这种态度会使人格外重视生命的价值。我们每天都应该以优雅的姿态、充沛的精力、抱着感恩之心来生活。但当时间以无休止的日、月和年在我们面前流逝时，我们却常常没有了这种感觉。 当然，也有人奉行犬儒主义的“吃喝玩乐”信条，但绝大多数人还是会感受到即将到来的死亡的压力。
在故事中，将死的主人公通常都在最后一刻因突降的幸运而获救，但他的价值观通常都会改变，他变得更加理解生命的意义及其永恒的精神价值。我们常常注意到，那些生活在或曾经生活在死亡阴影下的人无论做什么都会感到幸福。
然而，我们中的大多数人都把生命看成是理所当然的。我们知道有一天我们必将面对死亡，但总认为那一天还在遥远的将来。当我们身强体健之时，死亡简直不可想象，我们很少考虑到它。日子多得好象没有尽头。因此我们一味忙于琐事，几乎意识不到我们对待生活的麻木态度。
我担心同样的冷漠也存在于我们对自己官能和意识的运用上。只有聋子才理解听力的重要，只有盲人才明白视觉的可贵，这尤其适用于那些成年后才失去视力和听力的人，但是那些从未受过丧失视力或听力之苦的人很少充分利用这些宝贵的能力。他们的眼睛和耳朵模糊地感受着周围的景物与声音，心不在焉，也无所感激。这正如我们只有在失去后才懂得珍惜一样，我们只有在生病后才意识到健康的可贵。
我经常想，如果每个人在年轻的时候都有几天失明失聪，也不失为一件幸事。黑暗将使他更加感激光明，寂静将告诉他声音的美妙。（李汉莉）
3．以书为伴 (节选)---------------------------------------------------------------
通常看一个人读些什么书就可知道他的为人，就像看他同什么人交往就可知道他的为人一样，因为有人以人为伴，也有人以书为伴。无论是书友还是朋友，我们都应该以最好的为伴。
好书就像是你最要好的朋友。它始终不渝，过去如此，现在如此，将来也永远不变。它是最有耐心、最令人愉悦的伴侣。在我们穷愁潦倒、临危遭难时，它也不会抛弃我们，对我们总是一如既往地亲切。在我们年轻时，好书陶冶我们的性情，增长我们的知识；到我们年老时，它又给我们以慰藉和勉励。
人们常常因为喜欢同一本书而结为知己，就像有时两个人因为敬慕同一个人而成为朋友一样。有句古谚说道：“爱屋及乌。”其实“爱我及书”这句话蕴涵着更多的哲理。书是更为真诚而高尚的情谊纽带。人们可以通过共同喜爱的作家沟通思想、交流感情，彼此息息相通，并与自己喜欢的作家思想相通、情感相融。
好书常如最精美的宝器，珍藏着人生思想的精华，因为人生的境界主要就在于其思想的境界。因此，最好的书是金玉良言和崇高思想的宝库，这些良言和思想若铭记于心并多加珍视，就会成为我们忠实的伴侣和永恒的慰藉。
书籍具有不朽的本质，是人类努力创造的最为持久的成果。寺庙会倒坍，神像会朽烂，而书却经久长存。对于伟大的思想来说，时间是无关紧要的。多年前初次闪现于作者脑海的
伟大思想今日依然清晰如故。他们当时的言论和思想刊于书页，现在依然生动如初。时间惟一的作用是淘汰不好的作品，因为只有真正的佳作才能经世长存。
书籍介绍我们与最优秀的人为伍，使我们置身于历代伟人巨匠之间，如闻其声、如观其行、如见其人，同他们情感交融、悲喜与共、感同身受。我们觉得自己仿佛在作者所描绘的舞台上和他们一起粉墨登场。
即使在人世间，伟大杰出的人物也永生不灭。他们的精神被载入书册，传于四海。书是人们至今仍在聆听的智慧之声，永远充满着活力。（傅琳娜）
4．如果我休息，我就会生锈---------------------------------------------------------
在一把旧钥匙上发现了一则意义深远的铭文——如果我休息，我就会生锈。对于那些为懒散而苦恼的人来说，这将是至理名言。甚至是最为勤勉的人也可以此为警示：如果一个人有才而不用，就像废弃钥匙上的铁一样，这些才能很快就会生锈，并最终无法完成安排给自己的工作。
有些人想取得伟人所获得并保持的成就，他们就必须通过不断运用自身才能，以便开启知识的大门，即那些通往人类努力探求的各个领域的大门，这些领域包括各种职业：科学、艺术、文学、农业等。
勤奋使开启成功宝库的钥匙保持光亮。休?米勒如果在采石场劳作一天后，晚上的时光用来休息消遣的话，他就不会成为名垂青史的地质学家。著名数学家爱德蒙?斯通如果闲暇时无所事事，就不会出版数学词典，也不会发现开启数学之门的钥匙。如果苏格兰青年弗格森在山坡上放羊时，让自己那思维活跃的大脑处于休息状态，而不是借助一串珠子计算星星的位置，他就不会成为著名的天文学家。
劳动征服一切。这里所指的劳动不是断断续续的、间歇性的或方向偏差的劳动，而是坚定的、不懈的、方向正确的每日劳动。正如要想拥有自由就必须时刻警惕一样，要想取得伟大的、持久的成功，就必须坚持不懈地努力。（杜朝玉）
5．抱负--------------------------------------------------------------------------
一个缺乏抱负的世界将会怎样，这不难想象。或许，这将是一个更为友善的世界：没有渴望，没有摩擦，没有失望。人们将有时间进行反思。他们所从事的工作将不是为了他们自身，而是为了整个集体。竞争永远不会介入；冲突将被消除。人们的紧张关系将成为过往云烟。创造的重压将得以终结。艺术将不再惹人费神，其功能将纯粹为了庆典。人的寿命将会更长，因为由激烈拼争引起的心脏病和中风所导致的死亡将越来越少。焦虑将会消失。时光流逝，抱负却早已远离人心。
啊，长此以往人生将变的多么乏味无聊！
有一种盛行的观点认为，成功是一种神话，因此抱负亦属虚幻。这是不是说实际上并不存在成功？成就本身就是一场空？与诸多运动和事件的力量相比，男男女女的努力显得微不足道？显然，并非所有的成功都值得景仰，也并非所有的抱负都值得追求。对值得和不值得的选择，一个人自然而然很快就能学会。但即使是最为愤世嫉俗的人暗地里也承认成功确实存在，成就的意义举足轻重，而把世上男男女女的所作所为说成是徒劳无功才是真正的无稽之谈。认为成功不存在的观点很可能造成混乱。这种观点的本意是一笔勾销所有提高能力的动机、求取业绩的兴趣和对子孙后代的关注。
我们无法选择出生，无法选择父母，无法选择出生的历史时期与国家，或是成长的周遭环境。我们大多数人都无法选择死亡，无法选择死亡的时间或条件。但是在这些无法选择之中，我们的确可以选择自己的生活方式：是勇敢无畏还是胆小怯懦，是光明磊落还是厚颜无耻，是目标坚定还是随波逐流。我们决定生活中哪些至关重要，哪些微不足道。我们决定，用以显示我们自身重要性的，不是我们做了些什么，就是我们拒绝做些什么。但是不论世界对我们所做的选择和决定有多么漠不关心，这些选择和决定终究是我们自己做出来的。我们决定，我们选择。而当我们决定和选择时，我们的生活便得以形成。最终构筑我们命运的就是抱负之所在。（叶雅珍）
6．为何而生----------------------------------------------------------------------
我的一生被三种简单却又无比强烈的激情所控制：对爱的渴望，对知识的探索和对人类苦难难以抑制的同情。这些激情像狂风，把我恣情吹向四方，掠过苦难的大海，迫使我濒临绝望的边缘。
我寻求爱，首先因为它使我心为之着迷，这种难以名状的美妙迷醉使我愿意用所有的余生去换取哪怕几个小时这样的幸福。我寻求爱，还因为它能缓解我心理上的孤独，在这种可怕的孤独中，我感觉心灵的战栗，仿如站在世界的边缘而面前是冰冷、无底的死亡深渊。我寻求爱，因为在我所目睹的爱的结合中，我仿佛看到了圣贤和诗人们所向往的天堂之景。这就是我所寻找的，虽然对人的一生而言似乎有些遥不可及，但至少是我用尽一生所领悟到的。 我用同样的激情去寻求知识。我希望能够理解人类的心灵，希望能够知道群星闪烁的缘由。我试图领悟毕达哥拉斯所景仰的“数即万物”思想。我已经悟出了其中的一点点道理，尽管并不是很多。
爱和知识，用它们的力量把人引向天堂。但是同情却总把人又拽回到尘世中来。痛苦的呼喊声回荡在我的内心。饥饿中的孩子、受压迫的难民、被儿女们当作负担的无助的老人，还有这整个充满了孤独、贫穷和痛苦的世界，都是对人类所憧憬的美好生活无情的无情嘲弄。我渴望能够减少邪恶，但是我无能为力，我也难逃其折磨。
这就是我的一生。我已经找到了它的价值。而且如果有机会，我很愿意能再活它一次。 （陈敏芬）
7．爱的召唤----------------------------------------------------------------------
当爱召唤你时，请追随她，尽管爱的道路艰难险峻。当爱的羽翼拥抱你时，请顺从她，尽管隐藏在其羽翼之下的剑可能会伤到你。当爱向你诉说时，请相信她，尽管她的声音可能会打破你的梦想，就如同北风吹落花园里所有的花瓣。
爱会给你戴上桂冠，也会折磨你。爱会助你成长，也会给你修枝。爱会上升到枝头，抚爱你在阳光下颤动的嫩枝，也会下潜至根部，撼动你紧抓泥土的根基。
但是，如果你在恐惧之中只想寻求爱的平和与快乐，那你就最好掩盖住真实的自我，避开爱的考验，进入不分季节的世界，在那里你将欢笑，但并非开怀大笑，你将哭泣，但并非尽情地哭。爱只将自己付出，也只得到自己。爱一无所有，也不会为谁所有，因为爱本身就已自足。
爱除了实现自我别无他求。但是如果你爱而又不得不有所求，那就请期望：
将自己融化并像奔流的溪水一般向夜晚吟唱自己优美的曲调。
明了过多的温柔所带来的苦痛。
被自己对爱的理解所伤害；
并情愿快乐地悲伤。
在黎明带着轻快的心醒来并感谢又一个有爱的日子；
在中午休息并品味爱的喜悦；
在黄昏怀着感恩之心回家；
然后为内心所爱之人祈祷，吟唱赞美之歌，并带着祷告和歌声入眠。（张亚芳）
8．成功之道----------------------------------------------------------------------
年轻人创业之初，应该从最底层干起，这是件好事。匹兹堡有很多商业巨头，在他们创业之初，都肩负过“重任”：他们与扫帚相伴，以打扫办公室的方式度过了他们商业生涯中最初的时光。我注意到我们现在办公室里都有工友，于是年轻人就不幸错过了商业教育中这个有益的环节。如果碰巧哪天上午，专职扫地的工友没有来，某个具有未来合伙人气质的年轻人会毫不犹豫地试着拿起扫帚。在必要时新来的员工扫扫地也无妨，不会因此而有什么损失。我自己就曾经扫过地。
假如你已经被录用，并且有了一个良好的开端，我对你的建议是：要志存高远。一个年轻人，如果不把自己想象成一家大公司未来的老板或是合伙人，那我会对他不屑一顾。不论
职位有多高，你的内心都不要满足于做一个总管、领班或者总经理。要对自己说：我要迈向顶尖！要做就做你梦想中的国王！
成功的首要条件和最大秘诀就是：把你的精力、思想、资金集中投入到你所从事的行业里去，无论从事哪个职业，就要下定决心在那一领域闯出一片天地来；做这一行的领导人物，采纳每一点改进之处，采用最优良的设备，对专业知识熟稔于心。
一些公司的失败就在于他们分散了资金，因为这就意味着分散了他们的精力。他们向这方面投资，又向那方面投资；在这里投资，在那里投资，到处都投资。“不要把所有的鸡蛋都放在一个篮子里”的说法大错特错。我要对你说：“把所有的鸡蛋都放在一个篮子里，然后小心地看好那个篮子。”看看你周围，你会注意到：这么做的人其实很少失败。看管和携带一个篮子并不太难。人们总是试图提很多篮子，所以才打破这个国家的大部分鸡蛋。提三个篮子的人，必须把一个顶在头上，而这个蓝子很可能倒下来，把他自己绊倒。美国商人的一个缺点就是不够专注。
把我的话归纳一下：要志存高远；不要出入酒吧；要滴酒不沾，或要喝也只在用餐时喝少许；不要做投机买卖；不要寅吃卯粮；要把公司的利益当作你自己的利益；取消订货的目的永远是为了挽救货主；要专注；把所有的鸡蛋放在一个篮子里，然后小心地看好它；要量入为出；最后，要有耐心，正如爱默生所言，“谁都无法阻止你最终成功，除非你承认自己失败。”（谢继华）
9．论见名人----------------------------------------------------------------------
许多人热衷于见名人，我始终不得其解。在朋友面前吹嘘自己认识某某名人，由此而来的声望只能证明自己的微不足道。名人个个练就了一套处世高招，无论遇上谁，都能应付自如。他们给世人展现的是一副面具，常常是美好难忘的面具，但他们会小心翼翼地掩盖自己的真相。他们扮演的是大家期待的角色，演得多了，最后都能演得惟妙惟肖。如果你以为他们在公众面前的表演就是他们的真实自我，那你就傻了。
我自己就喜欢一些人，非常喜欢他们。但我对人感兴趣一般不是因为他们自身的缘故，而是出于我工作的需求。正如康德劝告的那样，我从来没有把认识某人作为目的，而是将其当作对一个作家有用的创作素材。比之名流显土，我更加关注无名小卒。他们常常显得较为自然真实，他们无须再创造另一个人物形象，用他来保护自己不受世人干扰，或者用他去感动世人。他们的社交圈子有限，自己的种种癖性也就越有可能得到滋长。因为他们从来没有引起公众的关注，也就从来没有想到过要隐瞒什么。他们会表露他们古怪的一面，因为他们从来就没有觉得有何古怪。总之，作家要写的是普通人。在我们看来，国王，独裁者和商界大亨等都是不符合条件的。去撰写这些人物经常是作家们难以抗拒的冒险之举，可为此付出的努力不免以失败告终，这说明这些人物都过于特殊，无法成为一件艺术作品的创作根基，作家也不可能把他们写得真真切切。老百姓才是作家的创作沃土，他们或变幻无常，或难觅其二，各式人物应有尽有，这些都给作家提供了无限的创作素材。大人物经常是千人一面，小人物身上才有一组组矛盾元素，是取之不尽的创作源泉，让你惊喜不断。就我而言，如要在孤岛上度过一个月，我宁愿和一名兽医相守，也不愿同一位首相做伴。（杨婷婷）
10．生活理论半对半---------------------------------------------------------------
我信奉对半理论。生活时而无比顺畅，时而倒霉透顶。我觉得生活就像来回摆动的钟摆。读懂生活的常态需要时间和阅历，而读懂它也练就了我面对未来的生活态度。
让我们来确定一下好坏的基准：是的，我注定会死去。我已经经历了双亲、一位好友、一位敬爱的老板和心爱宠物的死亡。有些突如其来，近在眼前，有些却缓慢痛苦。这些都是糟糕的事情，它们属于最坏的部分。
生活中也不乏高潮：坠入爱河缔结良缘；身为人父养育幼子，诸如训练指导儿子的棒球队，当他和狗在小河中嬉戏时摇桨划船，感受他如此强烈的同情心——即使对蜗牛也善待有加，发现他如此丰富的想象力——即使用零散的乐高玩具积木也能堆出太空飞船。
但在生活最好与最坏部分之间有一片巨大的中间地带，其间各种好事坏事像耍杂技一样
新东方美文背诵30篇mp3篇二：篇篇精彩新东方必背背诵80篇
>01 The Language of Music
A painter hangs his or her finished picture on a wall, and everyone can see it. A composer writes a work, but no one can hear it until it is performed. Professional singers and players have great responsibilities, for the composer is utterly dependent on them. A student of music needs as long and as arduous a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique, for musicians have to have the muscular proficiency of an athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be inadequate without controlled muscular support. String players practice moving the fingers of the left hand up and down, while drawing the bow to and fro with the right arm -- two entirely different movements.
Singers and instrumentalists have to be able to get every note perfectly in tune. Pianists are spared this particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner's responsibility to tune the instrument for them. But they have their own difficulties: the hammers that hit the strings have to be coaxed not to sound like percussion, and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student conductors: they have to learn to know every note of the music and how it should sound, and they have to aim at controlling these sounds with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century.
01 音乐的语言
画家将已完成的作品挂在墙上，每个人都可以观赏到。 作曲家写完了一部作品，得由 演奏者将其演奏出来，其他人才能得以欣赏。因为作曲家是如此完全地依赖于职业歌手和职 业演奏者，所以职业歌手和职业演奏者肩上的担子可谓不轻。 一名学音乐的学生要想成为 一名演奏者，需要经受长期的、严格的训练，就象一名医科的学生要成为一名医生一样。 绝 大多数的训练是技巧性的。 音乐家们控制肌肉的熟练程度，必须达到与运动员或巴蕾舞演 员相当的水平。 歌手们每天都练习吊嗓子，因为如果不能有效地控制肌肉的话，他们的声 带将不能满足演唱的要求。 弦乐器的演奏者练习的则是在左手的手指上下滑动的同时，用 右手前后拉动琴弓--两个截然不同的动作。歌手和乐器演奏者必须使所有的音符完全相同协 调。 钢琴家们则不用操这份心，因为每个音符都已在那里等待着他们了。 给钢琴调音是调 音师的职责。 但调音师们也有他们的难处： 他们必须耐心地调理敲击琴弦的音锤，不能让 音锤发出的声音象是打击乐器，而且每个交叠的音都必须要清晰。如何得到乐章清晰的纹理 是学生指挥们所面临的难题：他们必须学会了解音乐中的每一个音及其发音之道。 他们还 必须致力于以热忱而又客观的权威去控制这些音符。除非是和音乐方面的知识和悟性结合起 来，单纯的技巧没有任何用处。 艺术家之所以伟大在于他们对音乐语言驾轻就熟，以致于 可以满怀喜悦地演出写于任何时代的作品。
>02 Schooling and Education
It is commonly believed in the United States that school is where people go to get an education. Nevertheless, it has been said that today children interrupt their education to go to school. The distinction between schooling and education implied by this remark is important. Education is much more open-ended and all-inclusive than schooling. Education knows no bounds. It can take place anywhere, whether in the shower or in the job, whether in a kitchen or on a tractor. It includes both the formal learning that takes place in schools and the whole universe of informal learning. The agents of education can range from a revered grandparent to thepeople debating politics on the radio, from a child to a distinguished scientist.
Whereas schooling has a certain predictability, education quite often produces surprises. A chance conversation with a stranger may lead a person to discover how little is known of other religions. People are engaged in education from infancy on. Education, then, is a very broad, inclusive term. It is a lifelong process, a process that starts long before the start of school, and one that should be an integral part of one's entire life.
Schooling, on the other hand, is a specific, formalized process, whose general pattern varies little from one setting to the next. Throughout a country, children arrive at school at approximately the same time, take assigned seats, are taught by an adult, use similar textbooks, do homework, take exams, and so on. The slices of reality that are to be learned, whether they are the alphabet or an understanding of the workings of government, have usually been limited by the boundaries of the subject being taught. For example, high school students know that they are not likely to find out in their classes the truth about political problems in their communities or what the newest filmmakers are experimenting with. There are definite conditions surrounding the formalized process of schooling.
上学与受教育
在美国，人们通常认为上学是为了受教育。 而现在却有人认为孩子们上学打断了他们 受教育的过程。 这种观念中的上学与受教育之间的区别非常重要。 与上学相比，教育更具 开放性，内容更广泛。 教育不受任何限制。 它可以在任何场合下进行，在淋浴时，在工作 时，在厨房里或拖拉机上。 它既包括在学校所受的正规教育，也包括一切非
正规教育。 传 授知识的人可以是德高望重的老者，可以是收音机里进行政治辩论的人们，可以是小孩子， 也可以是知名的科学家。 上学读书多少有点可预见性，而教育往往能带来意外的发现。 与 陌生人的一次随意谈话可能会使人认识到自己对其它宗教其实所知甚少。 人们从幼时起就 开始受教育。 因此，教育是一个内涵很丰富的词，它自始至终伴随人的一生，早在人们上 学之前就开始了。 教育应成为人生命中不可缺少的一部分。然而，上学却是一个特定的形 式化了的过程。 在不同场合下，它的基本形式大同小异。 在全国各地，孩子们几乎在同一 时刻到达学校，坐在指定的座位上，由一位成年人传授知识，使用大致相同的教材，做作业， 考试等等。 他们所学的现实生活中的一些片断，如字母表或政府的运作，往往受到科目范 围的限制。 例如，高中生们知道，在课堂上他们没法弄清楚他们社区里政治问题的真情， 也不会了解到最新潮的电影制片人在做哪些尝试。 学校教育这一形式化的过程是有特定的 限制的。
>03 The Definition of "Price"
Prices determine how resources are to be used. They are also the means by which products and services that are in limited supply are rationed among buyers. The price system of the United States is a complex network composed of the prices of all the products bought and sold in the economy as well as those of a myriad of services, including labor, professional, transportation, and public-utility services. The interrelationships of all these prices make up the"system" of prices. The price of any particular product or service is linked to a broad, complicated system of prices in which everything seems to depend more or less upon everything else. If one were to ask a group of randomly selected individuals to define "price", many would reply that price is an amount of money paid by the buyer to the seller of a product or service or, in other words, that price is the money value of a product or service as agreed upon in a market transaction. This definition is, of course, valid as far as it goes. For a complete understanding of a price in any particular transaction, much more than the amount of money involved must be known. Both the buyer and the seller should be familiar with not only the money amount, but with the amount and quality of the product or service to be exchanged, the time and place at which the exchange will take place and payment will be made, the form of money to be used, the credit terms and discounts that apply to the transaction, guarantees on the product or service, delivery terms, return privileges, and other factors. In other words, both buyer and seller should be fully aware of all the factors that comprise the total "package" being exchanged for the asked-for amount of money in order that they may evaluate a given price.
"价格"的定义 价格决定资源的使用方式。 价格也是有限的产品与服务在买方中的配给 手段。 美国的价格系统是复杂的网状系统，包括经济生活中一切产品买卖的价格，也包括 名目繁多的各种服务，诸如劳动力、专职人员、交通运输、公共事业等服务的价格。 所有 这些价格的内在联系构成了价格系统。 任何一种个别产品或服务的价格都与这个庞大而复 杂的系统密切相关，而且或多或少地受到系统中其它成份的制约。如果随机挑选一群人，问 问他们如何定义"价格"，许多人会回答价格就是根据卖方提供的产品或服务，买方向其付出 的钱数。 换句话说，价格就是市场交易中大家认同的产品或服务的货币量。 该定义就其本 身来说自有其道理。 但要获得对价格在任何一桩交易中的完整认识，就必须考虑到大量" 非货币"因素的影响。 买卖双方不但要清楚交易中的钱数，而且要非常熟悉交易物的质量和 数量，交易的时间、地点，采用哪种形式付款，有怎样的缓付和优惠，对交易物的质量保证、 交货条款、退赔权利等等。 也就是说，为了能估算索价，买卖双方必须通晓构成交易物价 格的通盘细节。
>04 Electricity
The modern age is an age of electricity. People are so used to electric lights, radio, televisions, and telephones that it is hard to imagine what life would be like without them. When there is a power failure, people grope about in flickering candlelight, cars hesitate in the streets because there are no traffic lights to guide them, and food spoils in silent refrigerators.Yet, people began to understand how electricity works only a little more than two centuries ago. Nature has apparently been experimenting in this field for millions of years. Scientists are discovering more and more that the living world may hold many interesting secrets of electricity that could benefit humanity.
All living cells send out tiny pulses of electricity. As the heart beats, it sends out pulses of record; they form an electrocardiogram, which a doctor can study to determine how well the heart is working. The brain, too, sends out brain waves of electricity, which can be recorded in an electroencephalogram. The electric currents generated by most living cells are extremely small -- often so small that sensitive instruments are needed to record them. But in some animals, certain muscle cells have become so specialized as electrical generators that they do not work as muscle cells at all. When large numbers of these cells are linked together, the effects can be astonishing.
The electric eel is an amazing storage battery. It can send a jolt of as much as eight hundred volts of electricity through the water in which it lives. (An electric house current is only one hundred twenty volts.) As many as four-fifths of all the cells in the electric eel's body are specialized for generating electricity, and the strength of the shock it can deliver corresponds roughly to the length of its body.
电 当今时代是电气时代。 人们对电灯、收音机、电视和电话早已司空见惯以致很难想 象没有它们生活会变成什么样。 当停电时，人们在摇曳不定的烛光下暗中摸索； 因没有红 绿灯的指示，汽车在道路上迟疑不前；冰箱也停止工作，导致食物变质。人们只是在两个世 纪前一点才开始了解电的使用原理，自然界却显然在这方面经历过了数百万年。 科学家不 断发现许多生物世界里可能有益于人类的关于电的有趣秘密。所有生物细胞都会发出微小的 电脉冲。 当心脏跳动时，把它发出的脉冲记录下来就成了心电图，这可让医生了解心脏的 工作状况。大脑也发出脑电波，这可在脑电图上记录下来。 许多生物细胞发出的电流都是 极微小的，小到要用灵敏仪器才能记录和测量。 但一些动物的某些肌肉细胞能转化成一个 个发电机，以致完全失去肌肉细胞的功能。 这种细胞大量地连接在一起时产生的效果将是 非常令人吃惊的。电鳗就是一种令人惊异的蓄电池。 它可以在水中发出相当于 800 伏特电 压电流(家庭用户的电压只有 120 伏特)。 在电鳗的身体里，多至五分之四的细胞都专门用 来发电，而且发出的电流的强度大约和它身体的长度成正比。
>05 The Beginning of Drama
There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world - even the seasonal changes - as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.
Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community
did not participate, a clear division was usually made between the "acting area" and the
"auditorium." In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect -- success in hunt or battle, the coming rain, the revival of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities.
Another theory traces the theater's origin from the human interest in storytelling. According to this view tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
戏剧的起源 关于古希腊戏剧的起源存在着多种理论，其中一个最普遍为人接受的理论 假设认为戏剧从仪式演化而来。 这个观点是这样进行论证的：一开始，人类把世界上的自 然力量，甚至季节的变化都看成是不可预料的。 他们试图通过各种方式去控制这些未知的、 令人恐惧的力量。 那些似乎带来了满意结果的手段就被保留下来并且重复直到这些手段固 化为不变的仪式，最后产生了能够解释或者掩盖这些仪式神秘性的故事。 随着时间的推移， 一些仪式被废弃了，但这些后来被称作神话的故事流传下来并且为艺术和戏剧提供了素材。 认为戏剧从仪式演化而来的人们还认为那些仪式包含了戏剧的基本因素，因为音乐、舞蹈、 面具和服装几乎经常被使用，而且，必须为演出提供一个合适的地点；如果不是整个社区共 同参加演出，经常在"演出区"和"观众席"之间划分出明显的分界。 另外，仪式中还有演员， 而且宗教领袖通常承担演出任务，因为在仪式的执行中避免错误的发生被认为有相当大的重 要性；他们经常带着面具，穿着服装象演员那样扮演其它人、动物或超自然的生灵，用动作 来表演以达到所需要的效果，比如打猎的成功或战斗的胜利、将至的雨、太阳的复活。 最 后这些戏剧性的表演从宗教活动中分离了出来。 另一个追溯戏剧起源的理论认为它来自人 们对叙述故事的兴趣。 根据这个观点，故事(关于狩猎、战争或者其它伟绩)是逐渐丰富起 来的。 首先通过一个讲解人来运用模仿、表演和对话，然后再由不同的人扮演各自的角色； 另一个与之紧密相关的理论将戏剧的起源追溯至舞蹈，这些舞蹈大体上是有节奏感的和体操 式的那一类，或者是对动物动作和声音的模仿。>06 Television
Television -- the most pervasive and persuasive of modern technologies, marked by rapid change and growth -- is moving into a new era, an era of extraordinary sophistication and versatility, which promises to reshape our lives and our world. It is an electronic revolution of sorts, made possible by the marriage of television and computer technologies.
The word "television", derived from its Greek (tele: distant) and Latin (visio: sight) roots, can literally be interpreted as sight from a distance. Very simply put, it works in this way: through a sophisticated system of electronics, television provides the capability of converting an image
(focused on a special photoconductive plate within a camera) into electronic impulses, which can be sent through a wire or
cable. These impulses, when fed into a receiver (television set), can then be electronically reconstituted into that same image. Television is more than just an electronic
The field of television can be divided into two categories determined by its means of transmission. First, there is broadcast television, which reaches the masses through broad-based airwave transmission of television signals. Second, there is nonbroadcast television, which provides for the needs of individuals or specific interest groups through controlled transmission techniques.
Traditionally, television has been a medium of the masses. We are most familiar with broadcast television because it has been with us for about thirty-seven years in a form similar to what exists today. During those years, it has been controlled, for the most part, by the broadcast networks, ABC, NBC, and CBS, who have been the major purveyors of news, information, and entertainment. These giants of broadcasting have actually shaped not only television but our perception of it as well. We have come to look upon the picture tube as a source of entertainment, placing our role in this dynamic medium as the passive viewer.
电视电视--以快速变化与发展为标志的最普遍、最具有影响力的一项现代技术，正在步 入一个极端复杂化与多样化的新时代。 这个时代承诺重新塑造我们的生活和我们的世界。 这可以称得上是又一次电子革命，其关键在于电视技术与计算机技术的结合。"电视"这个词 来源于希腊语词根(tele：远)和拉丁语词根(vision：景象)，可以从字面上理解为来自远处的 景象。 简单说来，电视是以这种方式工作的，通过一个复杂的电子系统，电视能够将一幅 图像(这幅图像被聚焦在一部摄像机内的一块特殊的光导底片上)转换成能经过导线或电缆 发送出去的电子脉冲信号。 当这些电子脉冲信号被输入一部接收机(电视机)时，就可以用 电子学的方法把脉冲信号重新恢复成同一幅图像。但是，电视不仅仅是一个电子系统，它还 是一种表达工具和传播渠道。 因此，电视成了一个对其他人发生影响的强大工具。电视这 个领域可以根据其发射方式分为两类。 第一类为广播电视，通过电视信号的宽带无线电波 发射展现在大众面前；第二类为非广播电视，使用受控的发射技术来满足个人以及某些特殊 利益群体的需要。电视早已成为大众媒介。 我们熟悉广播电视，因为广播电视已经以类似 目前的方式存在了大约 37 年。 在那些年头中，电视绝大部分一直由 ABC、NBC、CBS 这 些广播电视公司控制着，这些广播电视公司一直是新闻、信息和娱乐的主要提供者。 这些 广播业的巨头实际上不仅塑造了电视，而且也塑造了我们对电视的理解。 我们渐渐把显像 管看作是娱乐的来源，让自己成为这个生动的媒介的被动观众。
>07 Andrew Carnegie
Andrew Carnegie, known as the King of Steel, built the steel industry in the United States, and, in the process, became one of the wealthiest men in America. His success resulted in part from his ability to sell the product and in part from his policy of expanding during periods of economic decline, when most of his competitors were reducing their investments.
Carnegie believed that individuals should progress through hard work, but he also felt strongly that the wealthy should use their fortunes for the benefit of society. He opposed charity, preferring instead to provide educational opportunities that would allow others to help themselves. "He who dies rich, dies disgraced, " he often said.Among his more noteworthy contributions to society are those that bear his name, including
the Carnegie Institute of Pittsburgh, which has a library, a museum of fine arts, and a museum of national history. He also founded a school of technology that is now part of Carnegie-Mellon University. Other philanthropic gifts are the Carnegie Endowment for International Peace to promote understanding between nations, the Carnegie Institute of Washington to fund scientific research, and Carnegie Hall to provide a center for the arts.
Few Americans have been left untouched by Andrew Carnegie's generosity. His contributions of more than five million dollars established 2,500 libraries in small communities throughout the country and formed the nucleus of the public library system that we all enjoy today.
安德鲁·卡内基 被称作钢铁大王的安德鲁·卡内基在美国建立了钢铁工业。 在这个过 程中，他变成了美国最富有的人之一。 他的成功，部分来自于他销售产品的能力，部分来 自于经济萧条时期的扩充策略。 在萧条时期，他的多数对手都在缩减投资。卡内基认为个 人应该通过努力工作来获得进展，但他也强烈地感到有钱人应该运用他们的财富来为社会谋 取福利。 他反对施舍救济，更愿意提供教育机会，使别人自立。 卡内基经常说："富有着 死去的人死得可耻。"他对社会的较重要的贡献都以他的名字命名。 这些贡献包括匹兹堡卡 内基学校。 这个学校有一个图书馆，一个美术馆和一个国家历史博物馆；他还创立了一所 技术学校，这所学校现在是卡内基 梅隆大学的一部分；其他的慈善捐赠有为促进国家间了 解的"卡内基国际和平基金"，为科学研究提供经费的华盛顿卡内基学院以及给各种艺术活动 提供活动中心的卡内基音乐厅。安德鲁·卡内基的慷慨大度几乎影响到每个美国人的生活。 由于他超过五百万美元的捐款，2500 个图书馆得以建立起来，遍布在美国各地的小村镇， 形成了我们今天还在享用的公共图书馆系统的核心。
>08 American Revolution
The American Revolution was not a revolution in the sense of a radical or total change. It was not a sudden and violent overturning of the political and social framework, such as later occurred in France and Russia, when both were already independent nations. Significant changes were ushered in, but they were not breathtaking. What happened was accelerated evolution rather than outright revolution. During the conflict itself people went on working and praying, marrying and playing. Most of them were not seriously disturbed by the actual fighting, and many of the more isolated communities scarcely knew that a war was on. America's War of Independence heralded the birth of three modern nations. One was Canada, which received its first large influx of English-speaking population from the thousands of loyalists who fled there from the United States. Another was Australia, which became a penal colony now that America was no longer available for prisoners and debtors. The third newcomer -- the United States -- based itself squarely on republican principles.
Yet even the political overturn was not so revolutionary as one might suppose. In some states, notably Connecticut and Rhode Island, the war largely ratified a colonial self-rule already existing. British officials, everywhere ousted, were replaced by a home-grown governing class, which promptly sought a local substitute for king and Parliament.
美国革命 美国革命其实并不算是一场革命，因为它并未导致完全的和彻底的变化。 这 次革命并不是对政治和社会框架的一次突然和猛烈的颠覆，象后来在已经是独立国家的法国 和俄国所爆发的革命那样。 革命带来了重大的变化，但并非翻天覆地，所发生的只是进化 的加速，而不是一场彻底的革命；在冲突期间，人们仍然上班、做礼拜、结婚、玩耍。 多
数人并没有受到实际战斗的严重影响。 许多较闭塞的社区对这场战争几乎一无所知。美国 独立战争宣布了三个现代国家的诞生，其中一个是加拿大。 加拿大的第一大批讲英语的流 入人口来自于成千上万英王的效忠者， 这些人从美国逃到了加拿大。 另一个国家是澳大利 亚，因为美国不再是容纳罪犯和欠债者的国度了，澳大利亚就变成了一个惩治罪犯的殖民地
(注：独立战争前，英国政府将罪犯流放到美国)。 第三个国家就是美国，它完全建立在共 和原则基础上。即使政治上的颠覆也不如人们可能想象的那样具有革命性。 在一些州，特 别是康涅狄格和罗德岛，战争基本上只是承认了已经存在的殖民地的自治。 四处被驱逐的 英国官员都被本土的统治阶级所替代，这个统治阶级迅速地以地方权力机关来替代国王和议 会。
>09 Suburbanization
If by "suburb" is meant an urban margin that grows more rapidly than its already developed interior, the process of suburbanization began during the emergence of the industrial city in the second quarter of the nineteenth century. Before that period the city was a small highly compact cluster in which people moved about on foot and goods were conveyed by horse and cart. But the early factories built in the 1830's and 1840's were located along waterways and near railheads at the edges of cities, and housing was needed for the thousands of people drawn by the prospect of employment. In time, the factories were surrounded by proliferating mill towns of apartments and row houses that abutted the older, main cities. As a defense against this encroachment and to enlarge their tax bases, the cities appropriated their industrial neighbors. In
1854, for example, the city of Philadelphia annexed most of Philadelphia County. Similar municipal maneuvers took place in Chicago and in New York. Indeed, most great cities of the United States achieved such status only by incorporating the communities along their borders.
With the acceleration of industrial growth came acute urban crowding and accompanying social stress -- conditions that began to approach disastrous proportions when, in 1888, the first commercially successful electric traction line was developed. Within a few years the horse-drawn trolleys were retired and electric streetcar networks crisscrossed and connected every major urban area, fostering a wave of suburbanization that transformed the compact industrial city into a dispersed metropolis.This first phase of mass-scale suburbanization was reinforced by the simultaneous emergence of the urban Middle Class, whose desires for homeownership in neighborhoods far from the aging inner city were satisfied by the developers of single-family housing tracts.
郊区的发展 如果"郊区"指的是比已建好的城市内部发展更为迅速的城市边缘地带，那 么郊区化可以说始于 1825 年至 1850 年工业化城市出现期间。 在这之前，城市只是高度密 集的小聚居群。 在其中，人们步行走动，商品靠马车来运送。 但是建于 18 世纪三四十年 代的早期工厂位于城边的航道和铁路附近，被工作机会吸引到这里的成千上万的人们需要住 房。 渐渐地，在与旧有的主要城区相毗邻的地方，不断涌现出由排房和公寓楼组成的工人 聚居区，包围了工厂。作为对这种侵蚀的自卫，也为了扩大它们收税的地域范围，城市吞并 了工业化的临近地带，比如 1854 年费城的城区就兼并了费县的绝大部分地区。 相似的城市 化也发生在芝加哥和纽约。 今天很多美国的大城市其实就是靠吞并它们附近的边缘地区而 变成大都会的。随着工业化的加速发展，城市里出现了严重拥挤和相伴而来的社会压力。 当1888 年第一条商业上成功的电气化铁轨被制造出来时，压力开始接近危机的程度。 几年之
新东方美文背诵30篇mp3篇三：生而为赢 新东方读背30篇文本
生而为赢
——新东方英语背诵美文30篇
目录：
·第一篇：Youth 青春
·第二篇： Three Days to See(Excerpts)假如给我三天光明（节选）·第三篇：Companionship of Books 以书为伴（节选）
·第四篇：If I Rest, I Rust 如果我休息，我就会生锈
·第五篇：Ambition 抱负
·第六篇：What I have Lived for 我为何而生
·第七篇：When Love Beckons You 爱的召唤
·第八篇：The Road to Success 成功之道
·第九篇：On Meeting the Celebrated 论见名人
·第十篇：The 50-Percent Theory of Life 生活理论半对半
·第十一篇：What is Your Recovery Rate? 你的恢复速率是多少？ ·第十二篇：Clear Your Mental Space 清理心灵的空间
·第十三篇：Be Happy 快乐
·第十四篇：The Goodness of life 生命的美好
·第十五篇：Facing the Enemies Within 直面内在的敌人
·第十六篇：Abundance is a Life Style 富足的生活方式
·第十七篇：Human Life a Poem 人生如诗
·第十八篇：Solitude 独处
·第十九篇：Giving Life Meaning 给生命以意义
·第二十篇：Relish the Moment 品位现在
·第二十一篇：The Love of Beauty 爱美
·第二十二篇：The Happy Door 快乐之门
·第二十三篇：Born to Win 生而为赢
·第二十四篇：Work and Pleasure 工作和娱乐
·第二十五篇：Mirror, Mirror--What do I see镜子,镜子,告诉我 ·第二十六篇：On Motes and Beams 微尘与栋梁
·第二十七篇：An October Suise 十月的日出
·第二十八篇：To Be or Not to Be 生存还是毁灭
·第二十九篇：Gettysburg Address 葛底斯堡演说
·第三十篇：First Inaugural Address(Excerpts) 就职演讲（节选）
·第一篇：Youth 青春
Youth
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
Youth means a temperamental predominance of courage over timidity, of the appetite for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals.
Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirit back to dust.
Whether 60 or 16, there is in every human being?s heart the lure of wonders, the unfailing appetite for what?s next and the joy of the game of living. In the center of your heart and my heart, there is a wireless station; so long as it receives messages of beauty, hope, courage and power from man and from the infinite, so long as you are young.
When your aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you?ve grown old, even at 20; but as long as your aerials are up, to catch waves of optimism, there?s hope you may die young at 80.
·第二篇： Three Days to See(Excerpts)假如给我三天光明（节选）Three Days to See
All of us have read thrilling stories in which the hero had only a limited and specified time to live. Sometimes it was as long as a year, sometimes as short as 24 hours. But always we were interested in discovering just how the doomed hero chose to spend his last days or his last hours. I speak, of course, of free men who have a choice, not condemned criminals whose sphere of activities is strictly delimited.
Such stories set us thinking, wondering what we should do under similar circumstances. What events, what experiences, what associations should we crowd into those last hours as mortal beings, what regrets?
Sometimes I have thought it would be an excellent rule to live each day as if we should die tomorrow. Such an attitude would emphasize sharply the values of life. We should live each day with gentleness, vigor and a keenness of appreciation which are often lost when time stretches before us in the constant panorama of more days and months and years to come. There are those, of course, who would adopt the Epicurean motto of “Eat, drink, and be merry”. But most
people would be chastened by the certainty of impending death.
In stories the doomed hero is usually saved at the last minute by some stroke of fortune, but almost always his sense of values is changed. He becomes more appreciative of the meaning of life and its permanent spiritual values. It has often been noted that those who live, or have lived, in the shadow of death bring a mellow sweetness to everything they do.
Most of us, however, take life for granted. We know that one day we must die, but usually we picture that day as far in the future. When we are in buoyant health, death is all but unimaginable. We seldom think of it. The days stretch out in an endless vista. So we go about our petty tasks, hardly aware of our listless attitude toward life.
The same lethargy, I am afraid, characterizes the use of all our faculties and senses. Only the deaf appreciate hearing, only the blind realize the manifold blessings that lie in sight. Particularly does this observation apply to those who have lost sight and hearing in adult life. But those who have never suffered impairment of sight or hearing seldom make the fullest use of these blessed faculties. Their eyes and ears take in all sights and sounds hazily, without
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